1. |
prologue
02:42
|
|||
2. |
anchorage, 1996
02:36
|
|||
3. |
tracy arm
05:05
|
|||
4. |
matanuska
06:22
|
|||
5. |
grandpa john
02:12
|
|||
6. |
portage
05:55
|
|||
7. |
sawyer
06:22
|
|||
8. |
||||
9. |
epilogue
03:09
|
Danny Clay San Francisco, California
chamber music, open forms, found objects, analog media, digital errata, toy instruments, and everything in between.
If you like Danny Clay, you may also like:
The gorgeously minimalist “boat” blends long, sustained major chords with the sound of lapping waves.
go to album
Re-Cartographies
by Luis Miehlich
A combination of looping, spacial effects, and modular synthesis turns modern classical sounds into submerged, haunting ambient.
go to album
Slow-moving contemporary classical that drifts like the ice floes on the cover, tranquil & meditative.
go to album
An Imaginary Autumn
by Tatsuro Murakami
Haunting electroacoustic music that at times borders on drone, gentle melodies summoning memories of days long past.
go to album
Where The Light Enters
by Sævar Jóhansson
Moving piano melodies fill up “Where the Light Enters,” each rolling arpeggio or plaintive lead conjuring a wellspring of emotions.
go to album
Below The Noise
by Andy Cartwright
A series of microsound collages built on layered field recordings, synth drones and noises, this LP is a feast for the ears.
go to album
floating world - reflections on 36 views of newland island
by tapes and topographies
An exploration of the concepts of time & space, the latest from UK artist Jonathan S Hooper is built on slowly expanding soundscapes.
go to album
